![]() ![]() ![]() “ Indiscipline,” in American Comparative Literature Association: Ten Year Report on the Discipline, ed.Federico Liusetti and Giorgio Margliano (Turin: Trauben, 2006). “Deconstruzione e secolarizzazione di Sant’Ivo,” in Dopo il Museo, ed.“Preserving Aesthetic Ecstasy: Bohrer’s Suddenness and the Moment of the Modern,” in English Language Notes 46.1 (Spring/Summer 2008). ![]() “ Fragments of an Interrupted Life: Keats, Blanchot and the Gift of Death,” in The Meaning of ‘Life’ in British Romantic Poetry and Poetics, ed.Rudolf Helmstetter, Holt Meyer, and Daniel Müller Nielaba, (Paderborn: Fink Verlag, forthcoming). “The Gift of the Political: Schiller and the Greeks,” in Schiller Gedenken-Vergessen-Lesen, ed.Special issue on the work of Jacques Rancière, ed. “Politics After Aesthetics: Disagreeing with Jacques Rancière,” in Parallax 15.3 (2009), 37-49.Anna Glazova and Paul North, forthcoming. “Agamben Messianic,” in Messianic Thought Outside Theology, ed.Walter Benjamin: Theoretical Questions (Ed.) Silent Urns: Romanticism, Hellenism, Modernity The Cambridge Companion to Walter Benjamin (Ed.) The Cambridge Introduction to Walter Benjamin HUMN 2000: Methods/Approaches to the Humanities.Modern European literature-especially poetry, modernity and the postmodern, photography and painting, reception of the Enlightenment in the 19th and 20th centuries, lyric poetry, 19th and 20th century aesthetics and literary theory, the Frankfurt School, Walter Benjamin, political theory, 18th and late 20th century painting. He will be a fellow at the Centre for Research in the Arts, Social Sciences, and Humanities (CRASSH) at the University of Cambridge, UK, during the Easter Term, 2010. He has received a Senior Faculty Research Fellowship from the ACLS, NEH Summer Research Grant, and has been a Fellow at the Whitney Humanities Center at Yale. His current projects include two books: Politics after Aesthetics and Postmodern Mimesis: The Ethics of Distortion. He is also a contributor to the American Comparative Literature Association’s Ten Year Report on the Discipline and will conribute an essay to the Blackwell Companion to Comparative Literature. His recent publications include essays on Jacques Rancière, Giorgio Agamben, Schiller, Adorno and Modernism, Benjamin and photography, Vattimo and the postmodern. Prior to teaching at CU-Boulder he held concurrent positions in Comparative Literature, English and German at the Graduate School and in Comparative Literature at Queens College of the City University of New York, in Comparative Literature and English at Yale University, and in English at Haverford College. David Ferris (Ph.D., SUNY-Buffalo) is Professor of Comparative Literature and Humanities. ![]()
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